On a quiet day, I can hear her breathing
On a quiet day, I can hear her breathing reflects on nature, on Earth as a living organism.
The photographs were made with a slow intensity of exploration through the physical act of walking and site-responsive connections to remote environments.
Performative in the process of their creation, each work is happened upon, captured during physically demanding expeditions.
Geological landscapes, otherworldly scenes and elements of human interference become found moments in time and space, evoking environmental and philosophical questions.
On a quiet day, I can hear her breathing is a meditation on time.
The photographs were made with a slow intensity of exploration through the physical act of walking and site-responsive connections to remote environments.
Performative in the process of their creation, each work is happened upon, captured during physically demanding expeditions.
Geological landscapes, otherworldly scenes and elements of human interference become found moments in time and space, evoking environmental and philosophical questions.
On a quiet day, I can hear her breathing is a meditation on time.
As humans, we are slow to act to protect the environment from our own destruction, to halt its decline, to care for home, our golden earth.
The series includes work developed during an artist residency with La Wayaka Current in the indigenous community of Coyo in the Atacama Desert, Chile, the driest nonpolar desert in the world.
The work includes a collaboration with musician and composer Russell Webster (The M1) utilising field recordings and live instrumentation to form a looped soundscape.
*Exhibition title references an excerpt from Arundhati Roy’s speech “Come September” delivered in 2002.
The series includes work developed during an artist residency with La Wayaka Current in the indigenous community of Coyo in the Atacama Desert, Chile, the driest nonpolar desert in the world.
The work includes a collaboration with musician and composer Russell Webster (The M1) utilising field recordings and live instrumentation to form a looped soundscape.
*Exhibition title references an excerpt from Arundhati Roy’s speech “Come September” delivered in 2002.
On a quiet day, I can hear her breathing
10 August - 4 September 2022
Woollahra Gallery at Redleaf
548 New South Head Road
Double Bay, Sydney
Press:
Guardian Australia ︎︎︎
AFR Life & Leisure ︎︎︎
Art Guide Australia ︎︎︎
Artist Profile ︎︎︎
New York Times Style: Australia︎︎︎
Russh ︎︎︎
Art Collector ︎︎︎
Broadsheet ︎︎︎
Wonderground︎︎︎
Groundswell ︎︎︎
Monster Children ︎︎︎
doingbird︎︎︎
10 August - 4 September 2022
Woollahra Gallery at Redleaf
548 New South Head Road
Double Bay, Sydney
Press:
Guardian Australia ︎︎︎
AFR Life & Leisure ︎︎︎
Art Guide Australia ︎︎︎
Artist Profile ︎︎︎
New York Times Style: Australia︎︎︎
Russh ︎︎︎
Art Collector ︎︎︎
Broadsheet ︎︎︎
Wonderground︎︎︎
Groundswell ︎︎︎
Monster Children ︎︎︎
doingbird︎︎︎